TheSpack DCP

In the world of digital photography and video editing, color management is one of the most crucial aspects for obtaining high-quality results. Among the various standards used, DCP (Digital Camera Profile) color profiles play a fundamental role. These profiles are tools designed to ensure that the colors captured by your digital camera are accurately and consistently represented in post-production. But what exactly are DCP profiles and why are they so important?

A DCP color profile is a digital file that describes the unique color rendering characteristics of a camera. Each photographic sensor interprets colors slightly differently, and DCP profiles serve to “translate” the captured colors into a standardized, i.e. understandable language, ensuring that the final image reflects reality with the greatest possible fidelity. This is especially useful when working with RAW images, which contain all the raw information captured by the sensor and need precise color mapping.

DCP profiles come into play during the RAW workflow, when images are processed in software such as Adobe Lightroom or Camera Raw. Without a suitable profile, colors may be dull, inaccurate, or far from what the photographer saw at the time of shooting.

The use of high-end DCP profiles is recommended for photographers and professionals who want to maintain maximum control over color and quality during the post-production process. Although many cameras and software provide integrated color profiles, the use of a custom profile offers more accurate results, especially in situations of variable light or for special needs.

DCP color profiles are therefore a powerful resource for anyone working in the field of digital images. They allow you to go from simple photographs to professional visual representations, where every chromatic detail is under control. Understanding and using DCP profiles is not only a step forward in color management, but an essential element in ensuring that your work fully reflects your creative vision.

But what do DCP color profiles do in essence?

For many, “only” the colors change. People often stop at the appearance, thinking that the color profile has a marginal, almost secondary function, and that it does not affect the final image. In reality, the color profile determines the final result more than you can imagine.

In the case of development flows ICC, simplifying as much as possible, applying the color profile is like giving a coat of paint to a piece of furniture: it improves its appearance, perhaps it worsens, but it does not change the essence. It helps to improve or worsen the quality of the file, but is limited to direct intervention in the early stages of image processing.
Development flows DCP, on the other hand, are much more articulated and complex. Here the color profile interacts with the software in multiple phases of the process, becoming a real protagonist. The construction of the profile, its structure and its functionality determine the final quality of the result. It's not just a matter of appearance: it's applied technology.

Think of color profiles like a magic shaker. They take the raw image information and mix it together to create a perfect balance in the RGB values. This apparently insignificant operation is what allows you to work with better images. Results? Brighter colors, greater definition, less noise, a better rendering of micro and macro contrast and, above all, a higher print quality.
But the magic doesn't stop there: a good color profile optimizes every aspect of the workflow, ensuring that images are ready to shine in any context, from digital visualization to professional printing.

To really understand the difference, let's look at a direct comparison. Two images, two profiles:
• The first one uses the profile Adobe Color;
• The second the profile TheSpack Smart Standard.

ADOBE COLOR - FULL
SMART STANDARD - FULL

The images have been extracted with the color profile ProPhoto (which corresponds to the Adobe Camera Raw workspace) and then converted to Coated FOGRA 39 (ISO 12647-2:2004), a European standard for four-color printing.

At first glance, it might seem like a simple color difference. But looking closer, it's obvious that the channels of the Cyan And of the Key (Black) are built in a completely different way. In the version developed with the profile TheSpack, black plays its role as a 'key color', providing detail and density. Cyan, on the other hand, intervenes precisely in darker shades, avoiding undesirable contrasts on the skin, which would otherwise be unnatural, especially in conditions of diffused light.

Not only appearance then!
What seems like an insignificant detail is actually the synthesis of how a high-end color profile works. The profiles TheSpack like Smart Standard they don't just improve the appearance of the image, but they intelligently adapt to specific shooting conditions. Their ability to optimize themselves in a multitude of lighting scenarios makes them essential tools for those looking for professional results.Both images were opened in Adobe Lightroom, and the corresponding profile was applied. Then they were exported to color space.

But what makes TheSpack profiles different?

We can't say that TheSpack color profiles are better. We know they are, but we don't say it. Or at least, not directly.
However, we can say with confidence that they are based on a completely different philosophy.

In the packages available to the public, we have chosen to exclude profiles. Repro. Why? Because we believe that all color profiles are targeted tools, and it was not logical to provide a product that does not comply with a specific standard. Who deals with reproductions or works in Cultural Heritage must comply with strict guidelines. It is not the camera, the sensor or the profile that needs to be certified, but the entire system. Not being able to certify a profile by standards such as FADGI or Metamorphoze, we've excluded this option from public packages. However, it is possible to request it on demand as a consulting service, adaptable to multiple systems and software.

We have carefully selected the available profiles, following specific guidelines. For this reason, you will only find one version of each profile. The management of torsions and saturations has been activated only in some profiles to avoid confusion and ensure intuitive use. Of course, if a customer needs a different operation, they can request customization through the On-Demand Packages.

In addition to the standard versions, we have studied and integrated different tonal curves:

- Standard and Smart Standard, for traditional workflows.
- Photo Standard, with an analog curve.
- Linear, a curve-free version.

In addition, we analyzed the contrast curve of each sensor, adjusting (within certain limits) the exposure gap and optimizing the performance. The result is our unique curve of Base, designed to guarantee excellent results in every situation and is made specifically for each sensor.

These prerogatives represent only part of the complex work behind the profiles TheSpack, who have been providing support to professional and amateur photographers for years.

But we don't stop there: we also offer color profiles DCP and ICC customized on specific request, mapping the color space and optimizing operation according to customer needs.

With TheSpack, you don't just buy a color profile, but a reliable partner for your visual productions, able to adapt perfectly to the challenges of each workflow.

One of the distinctive features of TheSpack DCP color profiles is their ability to work in an extremely large area of the gamut. This allows each individual color to be optimally mapped, ensuring an impeccable rendering even in the most complex conditions. The design of these profiles is based on the idea that each color has a precise position to respect, without compromising on quality.

To fully understand the chromatic extension offered by TheSpack profiles, we can compare their mapping with that of the profile Adobe Color, a widely used standard. This analysis shows how the profiles TheSpack are able to maintain color fidelity in situations where other profiles tend to compress or alter colors, especially in the most extreme shades.

Adobe Color - The*a*b* Graph

The creation of a color profile is based on the use of advanced tools and reference charts capable of providing precise data on exposure, uniformity, color balance and contrast curve. An effective chart must include a sufficient number of Patch to calibrate the camera, ensuring an extended gamut and accurate mapping of color shades.

Until 2004, system profiling RGB and CMYK relied mainly on small charts, in order to avoid problems such as tearing, posterization and color inversions. However, with the advancement of color management software, it has been realized that a wide range of patches is essential for detailed tone mapping. Today, in fact, many patches are not exclusively dedicated to the creation of the color profile, but they play a crucial role in Calibration control and verification.

To finalize a device profile That operates at a perceptual level, it is essential to have more tools and reference charts. Although the acquisition device may be the same, there is a substantial difference between a profile optimized for a Reproduction system and one calibrated for a shooting system.

For the creation of color profiles Perceptive, our choice went beyond traditional standards, adopting Evolved chart with advanced patch mapping. This approach allows us to obtain more accurate and reliable results, while adapting to the needs of professional workflows.

Basic chart - X-Rite ColorChecker Classic - 24 patches

The search and arrangement of individual patches, the redundancy of similar colors and the persistence of key elements in important areas have led to the development of a completely innovative system compared to Traditional charts.

In addition to the classic tone mapping, the design process involved:
• Careful selection of the printing material, to ensure uniformity and color stability.
• Optimization of chart brightness, in order to maximize calibration consistency. •
In-depth analysis of color variables, to allow an accurate representation of color under different lighting conditions.

Thanks to this advanced methodology, the result obtained is a extended gamut And a Precise description of the color in a three-dimensional space, allowing a more refined and reliable management of color tones.

Chart di base - X-Rite ColorChecker Classic - 24 patches

Every instrument must be optimized and adapted to its specific function to ensure the best possible result. The main objective of a perceptual profile it's not simply getting a 'perfect' color, but returning an image unique, faithful and consistent with the shot scene, minimizing the differences between one camera and another.

The Reference used for color profiling is a fundamental element, since it determines the Profile performance in the scene And his interaction with other cameras. An accurate reference ensures a more reliable calibration, reducing color discrepancies between different devices and improving the uniformity of results.

To ensure the maximum effectiveness of a color profile, it is essential evaluate its performance in real situations. Rely on experienced professionals, who know their needs and understand the final objectives, is a crucial step in optimizing calibration and obtaining consistent and professional results.

Adobe color profile compared to Reference
TheSpack color profile compared to Reference

It is essential to remember that it will never be possible to completely eliminate differences Between a physical reference and adigital image. For this reason, it is essential to define the compliance of your project and choose a color profile with the functionalities that best suit your operational needs.
Even a small variation in exposure can generate chromatic deviations between the shot chart and the result obtained. This phenomenon highlights the importance of working with professional tools, specially designed to ensure accuracy, consistency and reliability in the calibration process.

In the context of digital reproduction, the chromatic fidelity is an essential factor. For optimal results, it is necessary to adopt a system of multiple references, which includes:

• Calibrated illuminants and light sources to ensure consistent performance.
• Accurately controlled distance and light power. • Professional measuring tools, such as exposure meters and thermocolorimeters, for each shot.
• Chromatic references and gray scales, essential to ensure consistency between acquisition and reproduction.
• Adequate optics and machine bodies, whose maintenance is crucial for system stability.

After a certain number of shots, any variation in stability of one of the elements requires a upgrading. In these cases, it is necessary replace the unstable element and recalibrate the entire system to maintain the reliability of the color profile.

To obtain a high quality level, a significant investment on the part of the user, since the creation of Color profiles is only a technical step within a more complex process.

In this context, the calibration chart plays a very specific role. For an optimal result, we recommend:
• DT Next Generation Target, Version 2 for profile creation.
• GoldenThread/FADGI 19264 Device Target for profile validation, in combination with appropriate software.
• Sekonic C-800 Spectro Master, for color control and white balance.
• Sekonic L-858D, with dedicated software, for exposure control.

In addition to calibration tools, it is crucial to consider The shooting lights, which must guarantee:

• Constant color stability.
• High CRI index, meeting the standards required for faithful color reproduction.

Due to the high complexity in maintenance and the investment required, we do not provide color profiles that comply with FADGI standards in basic packages. This service is available only on specific request, after evaluating the needs and the necessary investment by the end user.

What are the main components of a DCP profile?

Color Matrices:
Calibration matrices (e.g. ColorMatrix1, ColorMatrix2) define the conversion of colors from the native camera space to CIE XYZ based on a specific illuminant (D65 or A).
The matrices allow the precise mapping of colors in a standard reference space, ensuring consistency between devices.

Calibration Illuminants:
CalibrationIlluminant1 and CalibrationIlluminant2 specify the light sources used to calibrate the profile. Typically, these illuminants represent standard daylight (D65) and tungsten light (A).
The profiles interpolate data between these illuminants to adapt to mixed light conditions.

Color Correction Tables (Hue/Saturation Maps):
The Hue/Saturation Maps (profileHuesAtMapData1, profileHuesAtMapData2) define nonlinear transformations on hue, saturation and luminance to optimize color rendering.
They are used to emphasize specific tones (for example, skin tones) or to reduce unwanted dominants.

Tone Curves:
The tonal curve (ProfileToneCurve) is responsible for managing contrast and dynamic range.
The tonal curves can be linear (ideal for neutral renderings) or have an S-shape, more or less pronounced or unbalanced, to emphasize contrast.

Forward Matrices:
ForwardMatrix1 and ForwardMatrix2 convert values from the camera color space to a visible color space, such as sRGB or AdobeRGB, and are primarily used for output rendering.

Reduction Matrices:
For cameras with more than three color channels, Reduction Matrices (ReductionMatrix1, ReductionMatrix2) reduce data to three dimensions before converting to XYZ.

Additional LUTs (Look-Up Tables):
Look-Up Tables (e.g. profileLookTableData) are used for creative or aesthetic color transformations.

How many DCP color profiles are needed?

The DCP color profile is a complex system that interacts directly with the development of the file and usually only one color profile is needed but... There's always a “but...” that we give a shit!

While it is true that in theory only one color profile is needed, it is not so true that the same color profile meets the needs of all photographers. It does not depend on the camera or its calibration and even less on the slightest differences between similar cameras. It is in fact a much more complex and articulated discourse.

The color profile is a finished interpreter, in simple terms it tells the software how the color of a file (and not only) should be managed. Obviously it has different options and in this case the DCP color profile has more areas that can be adapted and optimized.

Being an interpreter, you can specialize and go from being a fashion expert to a technology expert. From an erudite poet to a more pragmatic farmer. It will always keep its prerogatives but it will obviously have to adapt to different situations and needs and therefore offer different functionality in specific situations. While using definitions similar to each other, it will make small changes to its language to allow a simple and direct dialogue between the data contained in the file and the final development needs.

Just as an interpreter can specialize in different sectors and use terms that are fundamental but understandable to a small group of operators, so the color profile can be structured to solve specific problems.

In fact, it can be based on different tonal curves in order to best adapt to different development paths, it can also provide for different transfer matrices or manage in a more articulated way the way in which colors adapt from shadows to highlights or to the variation in brightness and saturation.

In practice, a DCP color profile can specialize to meet the needs of various digital imaging industries. From a practically flat linear curve that returns all the data ready for development to a contrast curve with a dynamic similar to that of analog film, from a behavior that protects the deviation of the colors until it cancels it to preserve the chromatic response to a more perceptive behavior where colors can change shades but in order to increase the visual impact of the image.

These prerogatives can be controlled, minimized and amplified in order to obtain the product that best meets your needs. Regardless of the color rendering, it is how a profile adapts to the workflow that determines its uniqueness and makes it high-profile and therefore simplifies and better controls the development flow. In the end, you only need one DCP color profile, the right one!

What does High-End DCP color profile mean?

High-end color profiles are tools designed with an extremely complex development path, designed to offer a customizable and optimized solution for every shooting situation. Unlike generic color profiles, which aim to meet the needs of a wide audience of photographers and scenarios, high-end profiles are developed for specific workflows. This specialization allows you to precisely deal with chromatic and tonal details in a unique way, aligning with the technical needs of an uncompromising project.

When working with RAW files, the concept of color profile is often associated with two main objectives: color rendering faithful to reality and the possibility of creative interventions on color. In a workflow that uses high-end color profiles, these concepts are overcome by a more structured and technical vision. Color fidelity is no longer the goal, but a condition already guaranteed. Each profile is calibrated to provide very high accuracy in color reproduction, eliminating at the base the problem of responding to the reality of the scene. However, what makes high-end color profiles unique is the way they manage and modulate colors during development, fluidly adapting to different phases of the workflow.

The management of colors in a high-end profile is divided into technical elements such as tonal curves, chromatic mapping tables and interactions with specific tones (twists of shades). Each parameter is analyzed and optimized to ensure that the result reflects the needs of the development process. For example, a tonal curve doesn't just define contrast or dynamic range, but integrates with chromatic transformations to preserve or manipulate chromatic deviations in a controlled manner. The shades can be kept neutral or emphasized to respond to stylistic requests, ensuring a harmonious transition between shadows and highlights, without compromising the consistency of the image.

Color balance in a workflow that uses high-end color profiles is no longer the primary objective, but becomes a natural consequence of the entire development process. This approach makes it possible to overcome traditional limitations, integrating the profile directly into the dynamics of the workflow. The profile structure aligns with the overall workflow, allowing complete control of chromatic and tonal transformations at every stage of the process.

The use of high-end color profiles facilitates the management of complex projects, making operations accessible that, in the past, required significant manual intervention and significant technical expertise. Thanks to an optimized architecture, the photographer can easily face complex challenges, obtaining precise and consistent results, adapted to the needs of the work in progress. These profiles represent a dynamic solution, able to evolve with the workflow and respond flexibly to the requirements of sectors such as fashion, advertising, product, landscape and scientific photography. Their effectiveness lies in their ability to combine a solid color base with the freedom to manage every single phase of RAW development.

Do I always have to keep the histogram on the right?

Let's start from the conclusion: So no, you don't need to put the data on the right, bottom, above or left, put them where they should be and if your camera exposes correctly and you work without problems, you don't ask so many questions about histograms or other interactions, in the end, as always, it's the result that counts.

Actually...
The idea that the histogram represents a universal solution for correct exposure is one of the biggest misconceptions of modern digital photography. This false myth, often perpetuated by self-styled experts, has led many photographers to believe that it is enough to move as much information as possible to the bright areas of the histogram to obtain higher quality images. However, this approach completely ignores the real context of the scene, the characteristics of the sensor, and the workflow necessary to translate the raw data into a developed image.

In shooting, the histogram is nothing more than a graphic representation of the JPEG file generated by the camera. This file undergoes compression, processing and adaptation in a limited color space, making the histogram unreliable as the only reference for evaluating the distribution of raw data. The idea of using it as an absolute guide for exposure is an empirical process that clashes with the technical complexity of the photographic medium. Without a detailed analysis of the scene and a thorough understanding of the sensor's limitations, the histogram becomes more of an obstacle than an aid.

A further widespread misunderstanding concerns ISO sensitivity. Many photographers believe that digital cameras have an intrinsic sensitivity similar to that of analog film. In reality, the ISO parameter in digital cameras is a simulation that translates the sensor signals into terms understandable to the photographer. Changing the ISO does not affect the sensor's sensitivity to light, but it acts on the electronic amplification of signals, which can result in loss of dynamic range and increased noise.

The idea that moving as much information as possible to the bright areas of the histogram guarantees higher quality is just as misleading. Digital sensors record data linearly, and light tones actually require more information than dark tones to represent shades consistently. However, insisting on assigning too much data to bright areas can compromise overall image quality, causing irreversible clipping in highlights and loss of critical detail in shadows.

In advanced workflows, such as the video log, tools such as Waveform, Vectorscope and RGB Parade are essential for analyzing and managing image data. These instruments provide a precise view of the light and color distribution, going far beyond the capabilities of the histogram.

• The Waveform analyzes the distribution of brightness over the entire space of the image, showing in detail any clipping areas and ensuring a correct exposure of the medium tones.

• The Vectorscope focuses on chroma, highlighting the position of the hues and the saturation of the colors. It's essential for balancing colors, especially in workflows that require color accuracy.

• The RGB Parade separates the color channels (red, green, blue) to evaluate their distribution and balance, essential for achieving neutrality and tonal consistency.

TheSpack color profiles are an advanced solution for photographers who want to go beyond the simplifications offered by the histogram. These profiles are based on specific response curves designed to map raw data as a function of sensor sensitivity and scene contrast. This approach makes it possible to precisely manage the relationships between lights, shadows and tonal range, avoiding common errors such as the excessive compression of light information.

With TheSpack profiles, the exposure process becomes an integral part of workflow management. It is no longer a matter of generically moving information to bright areas, but of positioning the data so that it is consistent with the real scene and the characteristics of the sensor.

Although they are functional tools for any workflow and optimized for all needs, to get the most out of TheSpack profiles, the use of reliable tools such as an external spot light meter is essential for creating high-end images. A spot light meter allows you to accurately evaluate areas of light and shadow, comparing the dynamic range of the scene with the sensor's capabilities. This approach makes it possible to establish a correct exposure, taking into account the clipping of highlights and low lights, avoiding compromises in image quality.

So no, you don't need to put the data on the right, below, above or left, put them where they need to be and if your camera exposes correctly and you work without problems you don't ask so many questions about histograms or other interactions, in the end, as always, it's the result that counts.

How are TheSpack color profiles made?

TheSpack color profiles represent a high-end solution for color management in the photographic workflow. Their creation follows a rigorous and personalized technical path, guaranteeing a faithful color rendering that is highly adaptable to any shooting need. This process is based on a deep knowledge of the technical characteristics of the sensor and the artistic needs of photographers, with the aim of providing a versatile and precise tool.

The basis for the development of TheSpack profiles is represented by proprietary charts, designed to fully cover the entire color spectrum. Available in versions with 864 and 1600 patches, these charts offer extremely detailed color mapping, allowing you to calibrate the color profile in a meticulous way. Each patch represents a reference point in the color gamut, ensuring that the profile precisely manages both neutral tones and more complex variables.

TheSpack profiles are not simple generic adaptations, but tools tailored to each camera model. Each profile is developed using a specific reference chart, which serves as a basis for defining optimized tonal curves. These curves not only control contrast and dynamic range, but they integrate with sensor sensitivity to ensure that light and shadow are managed in a manner consistent with the desired workflow. This approach makes it possible to make the most of the potential of the RAW file, while keeping the color fidelity intact.

Unlike standard profiles, TheSpack focuses on personalization. Each profile is designed with unique characteristics that make it ideal for specific shooting situations such as tonal control, saturation management and correction of chromatic deviations.

TheSpack color profiles are not only a technical product, but the result of continuous collaboration with professional photographers. This approach allows profiles to be tested and optimized based on real usage scenarios, ensuring that each profile meets the photographer's needs perfectly. Thanks to this exchange of knowledge, TheSpack profiles are constantly evolving, becoming a reference tool for those looking for maximum chromatic precision.